Saturday, November 28, 2009

Scott Kelly. Solo. Europe. 2010

I'm doing acoustic and electric, new, old, obscure originals, and covers. I hope to see you there if your life is on this side of the world.

SCOTT KELLY
EUROPEAN TOUR

Presented by Visions, Metal Hammer, Legacy, Fuze

14.01.10 Germany Dortmund @ Paulus Kirche
15.01.10 Belgium Antwerp @ Bar Mondial
16.01.10 UK London @ South Of The Border
17.01.10 Greece Athens @ MoBetter Club
18.01.10 Netherlands Den Haag @ Paard van Troje
19.01.10 France Paris @ Glazert
20.01.10 France Colmar @ Musee Du Jouet
21.01.10 Switzerland Martigny @ Les Caves du Manoir
22.01.10 Italy Genova @ Teatro Carignano
23.01.10 Italy Rome @ Blackout Club
24.01.10 Italy Ravenna @ Bronson Club
25.01.10 Austria Wien @ WUK
26.01.10 Slovakia Trnava @ Galeria Jana Koniarka
27.01.10 Czech Rep Tocnik @ Old Castle
28.01.10 Germany Berlin @ Festsaal Kreuzberg
29.01.10 Germany Leipzig @ UT Connewitz
30.01.10 Germany Iserlohn @ Dechenhoehle

Wednesday, November 25, 2009

Contact.

I haven't figured out how to do a more regular check in from the road yet. I intended to write in here during the Shrinebuilder travels, but it just didn't happen. I have enlisted my good friend Ansgar who will be traveling with me in Europe on my solo tour in January to be the task master and help me develop the discipline necessary to do this in the way that I envision it. Stand by for more info on that.

My head has been leveling out somewhat, not with out a lot of work, and I am hopeful that the result will be a better ability to express myself. My original intention of with this blog was to practice writing my life history. The more band related update shit and all that came along later and I have been struggling to find a balance that makes sense to my often cluttered and weary mind.

If you have the day off fucking enjoy it, and take some time to pay respect to the Native Americans who gave their lives for the dirt that we call home.

Thursday, November 12, 2009

The Viper Room. Los Angeles. November 11, 2009

We played the set twice it was great. The people that came out were exactly who we had hoped would come out, fucking die hards.

Our guy Eddie Solis(It's Casual) put this gig together for us and I can't speak high enough about the guy, he is true blue and he literally lives for music. The Viper Room it's self and the staff that run it couldn't have been cooler, it was the perfect venue for this show.
The experience will be easier to digest in a week or a month then right now, but the feeling of all this work and dedication finally taking form in a live setting is really overwhelming.


We leave for Baltimore in 6 hours.

Sunday, November 1, 2009

SHRINEBUILDER U.S. TOUR UPDATE.

The initial gigs are in our midst.

Nov.11 in Hollywood, Ca. @ The Viper Room(we will play 2 sets with no support band, our intention is to stretch it out a little bit and see where we are at before we head out on the road.)

Nov.13 in Baltimore, Md. @ Club Sonar supported by U.S. Christmas and Earthride

Nov.14 in Chicago @ The Empty Bottle 2 sets(they will clear the club between shows and recharge at the door) support for the early show is Yakuza and for the late show Rwake.

Nov.15 in New York City @ Le Poisson Rouge supported by Rwake and Liturgy

Nov.16 in Austin, Tx. @ Emos(outdoor) supported by Sub Oslo

I will be checking in as we prepare and while we are on the road. See you out there.

Saturday, September 19, 2009

Metallica.1.2.3.4.



I have had an ongoing debate with a friend of mine over the last 5 or so years about the first 4 Metallica albums, as to which 3 are the ones to run up the flag poll. I have been holding the line with 1,2, and 3 while he has been pushing for 2,3, and 4. Anyone who wants argue for anything beyond those 4 records is a complete ass and needs to purge themselves from this life immediately.

So there is no argument over 2 and 3. We agree they are the 2 best albums ever made by Metallica. I also think that we can agree that of those 2 'Master Of Puppets' is the one, the pinnacle, the crowning glory of there musical exploration in total.

What we are left with is a debate on Cliff Burton's influence on the band and whether actually physically having him playing the music is more effective then the band realling in the wake of his death.

Before I go any further and before people start commenting on how much they have fallen, let me say, that in my opinion they get an eternal pass. The music created on those 4 albums is beyond reproach and since none of us have any idea the horrors that befell them as human beings after his extremely violent death, we can not judge how we would have handled it.


As I said before I have been of the 1.2.3. school for sometime and I think on re listening I can tell you why first of all there a couple crystallizing pinnacle moments on that first record particularly the bass solo(...take 1) and the chugaluga breakdown mid way through 4 Horsemen(which will never be beat in my book for simplicity and dynamic impact). The overall effect of the downstroke guitar playing of Hetfield is revolutionary and a lesson that I took to heart. Now as I stand here now I am caught in a wash of memories as I re listen to these 4 records, and I must say that most of them have to do with drugs. Some of them do not...I remember sheepishly selling bootleg Metallica demos in the parking lot of Arco Arena in Sacramento with none other then Steve Von Till, Doug Dirt(Oakland celebrity), our friend from Canada Jim(who went on to join The Exploited at some point). Have you heard the demo? The one with Dave Mustaine on it? It is great, but is hilarious lyrically and at times vocally. Anyway...I digress.

The primary issue that I have always had with 4. is that the production is horrific(although after listening to 30 seconds of St. Anger perspective is achieved, 4. ain't that bad in fact it has a certain charm kinda like a hospital cafeteria) and the album led to the mainstream breakthrough and then led to the obvious downturn and emotional vacuum that brought us the 5th album and all the subsequent attempts. Upon my re listening I am struck with the depth of 4. The songs are raw and the emotions are on crushing. There are beautiful juxtapositional moments and devastating riffs abound. 4. is something to be hold it is and will always be the last breath that Clifford Lee Burton had creatively in this band. Although I'm sure that his shadow is still within there reach, I have always thought that space that he filled within them as people was a hole that could never be touched again.

Let the discussion begin...1. or 4.?

Wednesday, September 9, 2009

Evan Tanner. Remembrance.


It has been 1 year since Evan Tanner passed away. Those of you who keep up on such things you will remember why you supported this guy so damn hard. For those of you who are not followers of the fight game in general or MMA specifically I encourage you to take the time to check out this article. Evan Tanner was a remarkable man. I believe that his legacy must be shared.

Follow the link and scroll down the page to find the article.

SHRINEBUILDER UPDATE.

Sunday Nov.15 will be NYC at La Poisson Rouge. Monday the 16th will be in Austin at Emos. I will play a song, "Pyramid Of The Moon", of off the album in its entirety on my radio show this Thursday.
You will find it here.

Stayed tuned for more live dates.